Seagulls, Lake Michigan shoreline, Milwaukee.
Nikon D100, Vivitar Series One 600mm Catadioptric lens, ISO 800, 1/1600 sec. RAW processing in Capture One.
Downtown Milwaukee at night from the Milwaukee Art Museum. The foreground is the bridge from the Santiago Calatrava designed Quadracci Pavilion.
Installation of a car literally wrapped around a pole by artist Dirk Skreber outside the Milwaukee Art Museum, part of which is visible in the background.
One use of tilt-shift lenses is creating composite images. Panoramas are pretty common, and rely on taking images with the lens shifted right and left, as well as a center image if needed, and compositing them in Photoshop or a similar program. Since the sensor plane does not move, the perspective stays very even across the image, preventing some of the weird corners and bends that a moving camera panorama can create. The disadvantage is that the shifted panoramas can not take in the 180+ degree views that moving the camera can.
This picture, taken at The Basilica of the National Shrine of Mary, Help of Christians, at Holy Hill, is my first attempt at creating a composite image from four images. The four corners are individual images that were joined in Photoshop. The lens was shifted, rotated to four of the corner stops on the lens, with a four second image taken at each stop. I processed the RAW images in Capture One, exported them as TIFFs, and composited them in Photoshop.
I think the next multi-story composite I try will be at least 5 images, with a center and 4 corners. Due to the distortion of the lens, some of the elements in the center needed some special care to get them to line up correctly.
Camera was a Nikon D100, 28mm f4 PC-Nikkor lens, processed in Capture One and Photoshop.
Yesterday we had a hawk in the back yard. I grabbed my camera and 600mm catadioptric lens and snapped a couple pictures.
It started out on the lawn, then flew up into one of the trees. After watching for a while, we realized that it was eating something.
I have seen a few snakes, around, but not very often.
All shots are on a Nikon D100 with a Vivitar Series One 600mm Catadioptric (mirror) lens. Raw processing in Capture One.